comparison test of three plössl eyepiece types brandon, televue, gso ...

COMPARISON TEST OF THREE PLÖSSL EYEPIECE TYPES 

BRANDON, TELEVUE, GSO REVELATION 

The past three decades has been witness to an ocular cornucopia. Eyepieces in manifold variety have appeared on the market, 

designs and brands to suit all pockets and preferences. Forty years ago choice was restricted to a handful of astronomical types. If you 

wanted anything else only war surplus offered viable alternatives. The generally acknowledged top dogs prior to the mid 1970's were 

Abbe Orthoscopic, Monocentric and for wide angle views, Erfle. Planetary observers habitually opted for the Orthoscopic. There were two 

popular brands which were advertised fairly extensively. One was the Cave Orthostar, an Abbe type asymmetric orthoscopic retailed by 

Thomas Cave and also Coast Instrument. Coast went bankrupt in 1962, but Cave’s Astrola firm marketed the Orthostar into the early 

70’s. Gailland Corp. sold Gailland Orthos, also an Abbe type, during the late 50’s, 60’s and early 70’s. During the 70’s University Optics 

introduced their “Professional Series” Orthos, also an Abbe type, which sold quite well. Meade followed in the late 70’s with their 

“Research Grade” Orthos. 

Cave Orthostar Orthoscopic 10; 16; 26.6mm University Optics Pro Orthoscopic 4; 6.8; 10.2; 16; 28mm

University Optics König 6.5 series II; 8; 12; 16; 24mm series I & Meade Research Grade Orthoscopic 7; 10.5mm 

note the physical similarity between the UO Pro Ortho & UO König series I & Cave Orthostar and Meade RG Ortho 

So where did the Plössl feature? Quite simply it didn't. The only readily procurable "Plössl" eyepieces were war surplus Symmetrical 

eyepieces removed from sighting or predictor 'scopes. Edmund Scientific in the 50’s & 60’s bought thousands of war surplus M-70 tank 

telescopes, and stripped out their 32mm Brandon eyepiece which they fitted into a 1 1/4-inch adaptor, and sold for $5.95 as a “Type 

III Kellner [Plössl]”. 

The Symmetrical eyepiece comprised a pair of achromatic doublets separated by approximately 20% their focal length. The 

arrangement produced a ghost image. Reflection between the doublets (even when antireflection coated as they were in many WWII 

types) emerged almost parallel to the eye beam. The object under observation was dogged by a pallid companion wherever you 

placed the image within the field of view.

During the mid 1970's something happened to change the reputation of the humble Plössl and raise it from its pariah status to a must 

have eyepiece. As far as I have been able to ascertain Eugene Cross was the first to deliberately market an astronomical eyepiece 

purely on a brand name, the Clavé Plössl. Cross Optics created a brand image. A set of Clavé Plössls was what observers were 

supposed to aspire to. And like all branded goods they came with a price tag to match. The, "If you need to ask you can't afford", sort of 

price tag. 

The origins of the Clavé Plössl reputation date back to a remark by Jean Texereau in his 1957 English edition of “How to Make a 

Telescope”. In 1965, a firm in New Jersey by the name of Special Optics began pushing the Clavé Plössl but the high prices did not 

attract many buyers. 

The design however did not originate with the Parisian firm Ets Clavé (Kinoptique), but Carl Zeiss Jena. It was designed by Albert König 

during the late 1930's and patented in Germany on January 28th 1938 Serial No. 251,464. König filed a US patent on January 18th 

1939 on behalf of CZJ and registered on October 8th 1940 as 2,217,281. 

König's patent describes two 4 element designs, a 3-1 Orthoscopic and an asymmetric 2-2 Plössl. It is the second design that is of 

interest because König had reworked the symmetrical arrangement, placing the doublets almost in centre contact, and choosing 

surface radii and thicknesses so as to eliminate ghosts, formed either by the image or the counter reflection off the cornea. The eye 

surface was flat, and the doublets were made from three different Schott glasses. 

During 1946 CZJ was divided, with the Jena division in East Germany under Soviet occupation, and a newly formed Carl Zeiss 

Oberkochen in the Allied occupied West. Ets Clavé acquired the König Plössl design and tooling and commenced manufacture under its 

own name. 

Eugene Cross subsequently transformed the reputation of Ets Clavé from a parochial inward looking French firm to a brand leader. But 

does the design merit the hyperbole? 

In September 1979, Leo Henzl jnr. the West Coast representative for Optical Techniques Inc. conducted a comparison test between his 

own branded König (2-1 Zeiss design by König derived from the 1940 patented design), Brandon Orthoscopic (a design by Chester 

Brandon in 1942 and a mirror image of König's 2-2 Plössl), and the Clavé Plössl. 

I found little to choose between either, but opted for the König because I considered the Clavé Plössl lent a warm hue to planetary 

images, whereas the König and the Brandon gave a colder hue, which I preferred. 

By the late 70’s true asymmetric Abbe type Orthoscopics were becoming expensive although arguably not quite so expensive as the 

Clavé Plössl. Nevertheless Eugene Cross' branding exercise displaced the Abbe Orthoscopic, so much so that almost any eyepiece 

bearing the appellative "Plössl" promoted somewhere in the title, boosted sales. Hence for instance the 2-1-2 so called 'Super Plössl' 

(Erfle II). I possess three AstroPhysics Plössl (Symmetrical) from 1979; 30, 40 & 70mm purchased on the crest of Plössl frenzy. 

Cross eventually lost the exclusive franchise from Ets Clave, to S&S Optika and Roger Tuthill. Albert Nagler waded into the feeding 

frenzy with his TeleVue Plössl, a design registered in 1984, US Patent 4,482,217 November 13th. Nagler's design is nothing more than 

a Symmetrical, and in the 26mm focal length which forms the basis of his invention, the doublets have a 1mm spacing. Only two glass 

types and three different lens radii are used.

One sometimes, in the 50’s and 60’s, saw a Symmetrical designated Plössl, no one paid much attention. It was Nagler, who in 

adopting the Plössl designation for his Symmetrical and heavily advertising it as such, cashed in on the Clavé’s reputation. 

It is interesting contrasting the advertising claims of TeleVue and the actualité. The König asymmetric Plössl uses Schott SF10, SK5 & 

F2 glass, Albert Nagler's Symmetrical uses Schott SF5 & SSK5 or equivalent, neither being high index glasses, but standard crown and 

flint. It is König's choice of SF10 for the leading element of the field doublet, which is a high index glass, that defines its inherent 

quality, and bear in mind the König design (which is a true Plössl - being asymmetric) preceded Nagler's Symmetrical design by 46 

years! 

Chester Brandon's design followed König's design which may be used either way round! Brandon arrived at his design whilst working at 

the Frankford Arsenal. His choice of three high index glass types and four different lens radii is retained to this day. Chester Brandon 

advertised the Brandon Orthoscopic in Sky & Telescope throughout the 1950’s. He had the market on eyepieces in the United States in 

that decade, except for war surplus. In focal lengths 4; 6; 8; 12; 16; 24; 32mm, Brandons were priced at $15.95. The Brandon 

reputation exceeded that of any other 1950’s eyepiece. Brandon moved his business from Malverne NY in the early 50’s to California, 

then around 1955-56 to Puerto Rico and renamed his firm “LIBRASCOPE”. In 1966 Don Yeier bought the remaining Brandon inventory 

and all rights and reintroduced the Brandon, which had not been available since 1962 following Brandon’s retirement in early 1963. 

How well does the Brandon and TeleVue Plössl eyepiece design perform on the bright planets? After being subjected to the unending 

TeleVue advertising hyperbole I set about attempting to resolve this question. Knowing what I do I could scarcely be an unbiased 

arbiter. I detest unsubstantiated advertising claims; I intensely dislike American advertising braggadocio, it smacks of the snake oil 

salesman. Observational tests were carried out by a member of my local astronomical society. I merely guided him in what to look for 

during the comparison test. Oh, and just to throw a spanner in the works, I introduced a set of Taiwanese GSO Revelation Plössl. 

Exactly! Just what can you expect for your hard earned money? Is the Brandon really worth the asking price of the only all US made 

eyepiece? Is the TV Plössl significantly better than the GSO? Would it prove a revelation?

Cost of acquisition: 

VERNONscope 1 1/4" Parfocal Brandon Oculars 32, 24, 16, 12, 8 boxed in hardwood case $1095 

TeleVue Optics 1 1/4" Parfocal Plössl Oculars 32, 25, 20, 15, 11, 8 (no case) £463 

GSO Revelation 1 1/4" Parfocal Plössl Oculars 32, 20, 15, 12, 9, 6 boxed with 5 filters in aluminum case £89 

Manufacturer's specifications (as presented on company’s website): 

BRANDON 

Four element designs give a flat, beautifully corrected 50° field of view. 

Optical elements are exactingly ground and hard-coated with magnesium fluoride. 

Precision metal parts are black-anodized for antireflection and machined to standard 1 1/4" diameter. 

Parfocal mechanical designs - no need to refocus when changing eyepieces. 

Comfortable exit pupil distance for observing ease. 

Threaded at the base to accept all 1 1/4" VERNONscope Mounted Glass Filters. 

Rubber eyecups eliminate stray light, roll down for eyeglasses.

TELEVUE PLÖSSL GSO REVELATION PLÖSSL 

Focal Length Apparent Field Eye Relief Focal Length Apparent Field Eye Relief 

32 50º 22 32 52º 22 

25 50º 17 25 52º 22 

20 50º 14 20 52º 20 

15 50º 10 15 52º 13 

11 50º 8 12 52º 8 

8 50º 6 9 52º 6 

6 52º 5 

Reviewer’s comments: 

All three makes have black anodized aluminium barrels, and internally chased sleeves, and blackened lens edges. 

All selected focal lengths in each set are parfocalised. 

TV & GSO are multicoated on all air-glass surfaces whilst Brandon are bloomed. 

TV & GSO have hard chrome steel sleeves with undercuts and standard filter threads. 

Brandon use a filter thread peculiar to VERNONscope. 

All are fitted with fold down eyecups, and possess recessed eye lenses. 

All eyepieces are supplied capped at both ends.

€ 

CALIBRATION DATA: Nom Cal Field App Eye @f/6 Eye 

Fe' Fe(1) stop fov(2) lens (3) Relief(4) 

GSO Revelation Plössl 32 32.0 1.055 47º.3 0.980 0.90 20 

20 20.0 0.671 48º.2 0.665 0.52 11 

15 16.0 0.495 44º.2 0.487 0.35 7.6 no defined field edge 

12 12.0 0.420 50º.4 0.415 0.29 5.6 

9 9.4 0.305 46º.5 0.330 0.21 4.3 

6 6.0 0.226 54º.6 0.225 0.17 3.3 no defined field edge 

TeleVue Plössl II 20 20.6 0.672 46º.7 0.696 0.57 12.7 

15 14.9 0.490 47º.1 0.499 0.36 7.5 

11 10.6 0.350 47º.4 0.358 0.33 7.6 

8 7.7 0.254 47º.3 0.254 0.22 5 

VERNONscope Brandon Ortho 32 31.4 0.999 45º.5 1.140 0.87 20 eyecup 0.75 ID vignettes field 

24 24.0 0.851 51º.1 1.070 0.72 15 eyecup 0.75 ID 

16 15.4 0.465 43º.1 0.607 0.38 9 

12 12.0 0.347 41º.1 0.497 0.30 7.6 

8 8.0 0.234 41º.6 0.307 0.18 4.3 

notes 

(1) calibrated focal lengths (mm) obtained from exit pupil measurement using optical comparator and WO Megrez90 

(2) apparent field of view calculated from field stop diameter (inches) and calibrated focal length 

App fov 

ϑ = 6 

π sin−1 e 

2 

€ 

e = E d 

F e 

€ 

El = 2Er tan ϑ ⎛ ⎞ 

⎜ 

⎝ 2 ⎠ 

where Ed is field stop dia. 

the measured apparent fov differs between that stated for the design, typically being less. It also varies between different focal lengths within each set. The GSO Plössl 15 & 6 had 

misplaced field stops. 

(3) minimum eye lens diameter (inches) @ f/6 

minimum eye lens dia. 

€ 

⎟ + E p where 

€ 

E r is eye relief 

€ 

E p is exit pupil @ f/6 

€ 

∴E p = F e 

6 

The Brandon 32 & 20 eyepiece rely on a 3/4-inch aperture in the eyecup to define the useable eye lens diameter. 

(4) measured eye relief (mm). The eye relief values presented by TeleVue and GSO tend to be optimisitic, and are presumably based on the optical design rather than the physical 

configuration. Eye relief was measured from the surface of the eyepiece to the cornea, not the surface of the eye lens itself.

OBSERVATIONAL 

TESTS 

NOMINAL 

FOCAL LENGTH 

Field stop definition 

Field stop fringing 

Field illumination 

Field accessibility 

Internal reflections 

Field scatter 

Field Curvature 

Lateral Colour 

Astigmatism & coma 

Distortion 

Contrast & Transmission (7) 

Ghosting 

32 

sharp 

none 

even 

100% 

yes (1) 

none 

slight(3) 

none 

sag(5) 

neg(6) 

ex ex ex ex vg vg vg vg ex ex ex ex ex vg ex 

none 

GSO Revelation Plössl 

20 

sharp 

pale 

green 

even 

100% 

none 

none 

slight(3) 

o/corr(4) 

sag(5) 

neg(6) 

none 

unsharp 

pale 

blue 

uneven 

yes (2) 

none 

slight(3) 

o/corr(4) 

sag(5) 

neg(6) 

none 

sharp 

none 

even 

100% 

slight (2) 

none 

slight(3) 

slight(4) 

sag(5) 

neg(6) 

none 

sharp 

pale 

blue 

even 

100% 

slight (2) 

none 

slight(3) 

o/corr(4) 

sag(5) 

neg(6) 

none 

unsharp 

none 

uneven 

80-% 

none 

slight 

slight(3) 

o/corr(4) 

sag(5) 

neg(6) 

none 

sharp 

lemon 

yellow 

even 

100% 

none 

none 

slight(3) 

o/corr(4) 

sag(5) 

neg(6) 

none 

notes: 

(1) off field stop 

(2) off field lens lock ring 

(3) modest positive Petzval Sum (field convex to eye) 

(4) overcorrected - red outwards from 70% field radius; undercorrected - blue outwards at field boundary 

(5) negative astigmatism - sagittal dominates - image becomes arcuate at field boundary 

(6) slight negative (barrel) distortion, exceeds Abbe Ortho @ f/5 

(7) ex = excellent vg = very good 

15 

80% 

12 

9 

6 

20 

TeleVue Plössl II 

15 

sharp 

yellow 

green 

even 

100% 

none 

none 

slight(3) 

o/corr(4) 

sag(5) 

neg(6) 

none 

11 

sharp 

lemon 

yellow 

even 

100% 

none 

none 

slight(3) 

o/corr(4) 

sag(5) 

neg(6) 

none 

8 

sharp 

yellow 

green 

even 

100% 

none 

none 

slight(3) 

o/corr(4) 

sag(5) 

neg(6) 

none 

32 

sharp 

none 

even 

100% 

none 

none 

slight(3) 

none 

sag(5) 

neg(6) 

none 

VERNONscope Brandon 

Orthoscopic 

24 

sharp 

yellow 

green 

even 

100% 

none 

none 

slight(3) 

o/corr(4) 

sag(5) 

neg(6) 

none 

16 

sharp 

blue 

even 

100% 

none 

none 

slight(3) 

o/corr(4) 

sag(5) 

neg(6) 

none 

12 

sharp 

none 

even 

100% 

none 

none 

slight(3) 

none 

sag(5) 

neg(6) 

none 

8 

sharp 

yellow 

green 

even 

100% 

none 

none 

slight(3) 

o/corr(4) 

sag(5) 

neg(6) 

none

FIELD TESTS: 

I organized a Star Party at New Moon weekend commencing September 26th 2008 at Lane Ends bird sanctuary near Pilling, Over Wyre, 

on the coast of Morecambe Bay, Lancashire, England. The night was clear, with a little cirrus, and a slight mist. Sky darkness I 

estimated to be 20.6 mag / square arcsec, ZLM 5.8 and Seeing: Antoniadi II. 

Tests were made on a Megrez 90 semi-apo (f/6.9) and a 254mm f/4.7 Newtonian. The optical quality of both telescopes was well 

above the Rayleigh criterion. 

The comparisons were made by an observer relatively new to the hobby, who had acquired the necessary observing skills, yet 

someone unfamiliar with these specific eyepieces. The observations were made blind, that is, I did not tell the observer which eyepiece 

make he was using. I arranged the three sets into focal length groups, and handed each group in random order and left the observer 

to rank them according to image clarity, contrast, and field performance (fidelity across the fov). At no time was the observer prompted 

as to which make he was using, or its supposed hierarchical ranking. 

Observation tests were conducted on Jupiter (Seeing II-III) and its Galilean satellites and a pair of field stars. The planet was 

examined centred, and allowed to drift across the fov. 

ranking with 10-inch f/4.7 Newtonian in order of performance 

best on left, worst on right: 

(judged on the final seven criteria in observational tests table) 

rank A 

8mm TV Plössl 

12mm GSO Plössl 


rank B rank C 



16mm Brandon 

8mm Brandon 

12mm Brandon 


ranking with 90mm f/6.9 Semi-apo in order of performance 

best on left, worst on right: 

(judged on the final seven criteria in observational tests table) 

rank A 

8mm Brandon 

12mm Brandon 

16mm Brandon 

rank B 




the Brandon performed markedly better at f/6.9 than f/4.7 

observational tests were confined to Jupiter 

rank C 



15mm TV Plössl

FINDINGS & DISCUSSION: 

At the design focal ratio (f/7) the Brandon Orthoscopic was the better eyepiece at medium powers, matched to the seeing, followed by 

the GSO Plössl which in turn had the edge on the TV Plössl. At the faster focal ratio f/4.7 the performance of the Brandon was 

noticeably less good, with the GSO Plössl taking the lead. The performance of all the eyepieces deteriorated at f/4.7 compared to 

f/6.9. 

The lower definition and edge quality of the Brandon at f/4.7 did not come as much of a surprise. What did intrigue was the quality of 

the GSO Plössl compared to the TV Plössl. Mechanically there is not much to choose between either brand. The TeleVue is marginally 

better made, with tighter tolerances in locating the field stop. This however is not reflected in its optical performance. 

The Brandon came into its own at f/6.9 which is very close to the design f/7 limit. Definition was noticeably superior in the Brandon 

than the TV Plössl or the GSO Plössl, and the GSO Plössl had the edge on the TV Plössl at f/6.9. 

My tests exemplifies the law of diminishing returns, for whilst the Vernonscope Brandon Orthoscopic perform noticeably better at f/6.9 

than the TV Plössl, the difference in cost is not in proportion to the difference in image quality; one cannot say the Brandon 

Orthoscopic works three times better than the TV Plössl. 

However by far the best value is the GSO Plössl. It consistently outperformed or rivalled the TV Plössl at roughly half the price, even 

less if bought cased via Amazon. Not only does the GSO Plössl represent the best value, it ranks overall a better planetary eyepiece 

than the TV Plössl, exceeded only by the Brandon which costs almost ten times more.

CONCLUSION: 

In the introduction I explained the reasons why the Plössl eyepiece deservedly had an indifferent if not downright poor reputation 

amongst Lunar & planetary observers during the immediate post war period. I also explained the difference between a true 

asymmetric Plössl and a Symmetrical. From the post war period through the early 1970’s the Abbe Orthoscopic and Brandon 

Orthoscopic had a well deserved reputation amongst Lunar & planetary observers. I have explained the reasons why their reputation 

became eclipsed by the Plössl, be it a true Plössl (which very few are) or the Symmetrical design masquerading as a true Plössl. 

When conducting side by side trials of the Clavé Plössl with Leo Henzl jnr. in September 1979, I concluded the König I rivalled the 

Brandon and the Clavé. However the comparison was made using an OTI Quantum 6 at f/15. This to my mind begs the question, how 

well does the König I compare to the Zeiss Abbe Orthoscopic on a modern f/7 apo? In the appendix I have included three eyepiece 

design descriptions taken from the forthcoming Zeiss Optical Handbook. Compare the Zeiss Abbe Orthoscopic to the Zeiss König I. 

What little difference there is would be too subtle to be detected visually. Note also the slightly inferior performance of the Plössl, when 

designed as a Symmetrical, like the TeleVue Plössl. 

Based on my previous experience and these recent trials I can only conclude that the Abbe asymmetric style Orthoscopic favoured by 

the earlier generation of Lunar & planetary observers, i.e. Cave Orthostar and UO Pro Orthoscopic, would outperform the much vaunted 

and over-hyped TV Plössl. Furthermore the completely disregarded Zeiss König I eyepiece, sold by University Optics in the late 1970’s, 

would easily out perform the TV Plössl and give the Zeiss Abbe a good run for its money, there being so marginal a difference in their 

optical properties. 

I have also provided a historical perspective to the designs of the König, Brandon and TV Plössl, and reasons why, despite TeleVue’s 

advertising claims, the TV Plössl is only a Symmetrical, and consequently incapable of a noticeably superior performance. I have been 

made aware of the reputation of Plössl eyepieces in general and the TV Plössl in particular. My findings leave no doubt that the 

reputation is unwarranted. When it comes to the detection of low contrast detail and preservation of low contrast details in planetary 

images (Jupiter in this instance - a difficult object owing to its low surface contrast) there is nothing about the TV Plössl design to 

commend its preferred status to either the Zeiss Abbe Orthoscopic or Zeiss König I, or the Brandon Orthoscopic. 

Chris Lord

APPENDIX: Optical design and trigonometric ray trace of the eyepiece designs reviewed 

© Handbook of Optical Systems Herbert Gross Wiley-VCH Berlin 2009: 

Abbe Orthoscopic:

Konig orthoscopic:

Plossl orthoscopic:

comparison test of three plössl eyepiece types brandon, televue, gso ...

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?