EXHIBITION REVIEW

Vermeer at the Rijksmuseum review — a once in a lifetime experience

28 works by the enigmatic Dutch master have been brought together in Amsterdam. It’s a breathtaking exhibition, says Rachel Campbell-Johnston

Left: Mistress and Maid by Johannes Vermeer, c 1665-67. Right: Girl with a Pearl Earring, 1664–67
Left: Mistress and Maid by Johannes Vermeer, c 1665-67. Right: Girl with a Pearl Earring, 1664–67
THE FRICK COLLECTION, NEW YORK. PHOTO: JOSEPH COSCIA JR; MAURITSHUIS, THE HAGUE, BEQUEST OF ARNOLDUS ANDRIES DES TOMBE, THE HAGUE
The Times

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★★★★★
Johannes Vermeer has a talent to die for . . . and quite literally so, as far as Marcel Proust was concerned. He had one his characters breathe his last and expire in front of this 17th-century Dutch master’s exquisitely understated View of Delft. So, if you are a fan — and since Vermeer was rescued from two centuries of posthumous neglect, he has consistently starred in art history’s “all-time favourites” lists — then prepare for a once in a lifetime experience.

Never before have so many works by this master been brought together. Of the 37 paintings widely accepted (although arguments persist) to be autograph pieces, 28 of them — all among the most highly revered possessions of the museums that have