RMD9C1B4–Salvador Dali. Spanish, 1904-1989, Crucifixion (Corpus Hypercubus), 1954.Oil on canvas. Dali fused his interests in Catholicism, mathematics and science to create this new interpretation of an oft-depicted subject. Levitating before a hypercube - a g
RMF5HK2W–Salvador Dali - Crucifixion
RF2T8DNY9–Crucifixion II, (Painting) by Artist Dali, Salvador (1904-89) / Spanish.
RM2WCDCTJ–Crucifixion; painting by Salvado Dali in the Collection of Contemporary Art, Vatican museum, Rome, Italy.
RMD6WTTH–Crucifixion by Salvador Dali (1954) in the Metropolitan Museum of Art, (Met) New York City USA
RM2RHCB9E–Salvadore Dali, Spanish; Crucifixion (Corpus Hypercubus), 1954, Oil on canvas. Metropolitan Museum, New York City.
RMRFRTG1–Postage stamp from Guyana depicting the Salvador Dali painting Christ of St. John of the Cross
RF2R3JM5E–Salvador Dali - Crucifixion (Hypercubic Body)
RF2T8DP34–Crucifixion, 1954 (Painting) by Artist Dali, Salvador (1904-89) / Spanish.
RF2RGHJ7D–Salvador Dali Christ of St John of the Cross painting
RF2T8DNXA–Crucifixion III by Dali, Salvador (1904-89) / Spanish.
RMAF5FGH–TO SAVE CHOCOLATE FOR ALL MANKIND (WITH IRONY)
RMD9C1AC–Salvador Dali. Spanish, 1904-1989. Crucifixion (Corpus Hypercubus), 1954. Oil on canvas. Dali fused his interests in Catholicism, mathematics and science to create this new interpretation of an oft-depicted subject. Levitating before a hypercube - a g
RMD9C1AX–Salvador Dali. Spanish, 1904-1989. Crucifixion (Corpus Hypercubus), 1954. Oil on canvas. Dali fused his interests in Catholicism, mathematics and science to create this new interpretation of an oft-depicted subject. Levitating before a hypercube - a g
RMD9C1AH–Salvador Dali. Spanish, 1904-1989. Crucifixion (Corpus Hypercubus), 1954. Oil on canvas. Dali fused his interests in Catholicism, mathematics and science to create this new interpretation of an oft-depicted subject. Levitating before a hypercube - a g
RMD9C1A7–Salvador Dali. Spanish, 1904-1989. Crucifixion (Corpus Hypercubus), 1954. Oil on canvas. Dali fused his interests in Catholicism, mathematics and science to create this new interpretation of an oft-depicted subject. Levitating before a hypercube - a geometric, multi-dimentional form - Christ has an almost athletic physique that bears no signs of torture. The artists wife, Gala, poses as a devotional figure, witnessing Christ's spiritual triumph over corporeal harm.
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