Gold silver chrysanthemum Stock Photos and Images
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Gold silver chrysanthemum Stock Photos and Images
RMBKN684–Gold and silver chrysanthemum (Ajania pacifica 'Silver Gold' syn. Chrysanthemum pacificum 'Silver Gold')
RM2B0H648–Case (Inrō) with Design of Chrysanthemum Blossoms, Japan, 19th century, Japan, Lacquer, kinji, gold, silver and brown hiramakie, kirigane and nashiji; Interior: gyobu nashiji and fundame, 3 3/8 x 2 1/16 x 15/16 in. (8.6 x 5.3 x 2.4 cm), Inrō
RFHRX95C–Simple is the best - Chrysanthemum japonense on black background also known as ashizuri noji-giku Ashizuri
RF2HW3REJ–Art inspired by Case (Inrō) with Chrysanthemum Decoration, Edo period (1615–1868), 18th–19th century, Japan, Gold and silver maki-e with inlay of mother-of-pearl on lacquered ground, 2 15/16 x 2 1/8 x 1 in. (7.4 x 5.4 x 2.5 cm), Inrō, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW3A6P–Art inspired by Cabinet with Design of Chrysanthemum by a Stream, Edo period (1615–1868), 19th century, Japan, Gold and silver maki-e on lacquered wood with metal fittings, H. 15 in. (38.1 cm); W. 15 7/8 in. (40.3 cm); D. 9 5/8 in. (24.4 cm), Lacquer, This cabinet, part of a wedding, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW3B1W–Art inspired by Incense Box in Shape of Overlapped Chrysanthemums; The Chrysanthemum Youth (Inside Tray), Meiji period (1868–1912), mid-19th century, Japan, Gold, silver hiramaki-e, takamaki-e on gold ground, H. 1 3/8 in. (3.5 cm); W. 2 7/8 in. (7.3 cm); D. 4 5/8 in. (11.7 cm), Lacquer, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW3918–Art inspired by Box for Accessories, with Illustrations from the Kikujidō, Muromachi period (1392–1573), 15th century, Japan, Gold and silver maki-e on black lacquer, H. 7 in. (17.8 cm); W. 10 1/2 in. (26.7 cm); L. 14 1/4 in. (36.2 cm), Lacquer, The bamboo ladle, shown resting on a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2GWDRN9–Japanese hand-weaving scene with predominant gold on a silver background. Traditional Japanese symbols and ornaments.
RF2HTW4MJ–Art inspired by Imperial Presentation Vase with Maple Branches and Imperial Chrysanthemum Crest (one of a pair), 菊紋楓枝文七宝瓶 （一対）, Meiji period (1868–1912), ca. 1906, Japan, Standard and repoussé cloisonné enamel; silver wires and rims; signed: combined marks of Andō Cloisonné Company and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2JGY7HH–Gold and silver chrysanthemum (Ajania pacifica). Called Pacific chrysanthemum also. Another botanical name is Chrysanthemum pacificum
RMPB1WY0–The Plains of Musashi. Culture: Japan. Dimensions: Image: 60 1/16 x 140 in. (152.6 x 355.6 cm). Date: 17th century. A full moon, once silver but now blackened by age, appears on an unobstructed horizon between a background of golden clouds and a foreground frieze of grasses and autumnal wildflowers: yellow maidenflower, blue and white Chinese bellflower, purple agrimony, and wild chrysanthemum. A queue of descending geese (perhaps a later addition) at upper right conveys the vastness of the grassy plain. These pictorial motifs are associated with the once-wild plain of Musashi, now a densely
RM2B0HWK9–Inrō with Chrysanthemum Blossoms, Japan, first half of the 19th century, Japan, Three cases; lacquered wood with gold, silver togidashimaki-e; Netsuke: wood with gold; silver maki-e birds; Ojime: cloisonné bead, H. 2 13/16 in. (7.2 cm); W. 2 13/16 in. (7.1 cm); D. 13/16 in. (2 cm), Inrō
RM2DTBMMH–Inro with a Chrysanthemum-Blossom Pattern, early 19th century, Inro: gold lacquer ground on wood with gold, silver, and red pigment, and decoration in togidashi maki-e, and nashiji on the interior; netsuke: ivory; ojime: variegated stone, 3 5/8 × 1 3/4 in. (9.2 × 4.4 cm), Because the traditional Japanese kimono is devoid of pockets, a number of hanging containers were developed. Inro, made of the best lacquered wood or lacquered ox-hide, were the most expensive and treasured of these containers. The inro (literally seal baskets) were originally used by men to carry personal seals, but during
RFHRX960–Simple is the best - Chrysanthemum japonense on black background also known as ashizuri noji-giku Ashizuri
RM2B0HRPG–Case (Inrō) with Design of Chrysanthemum Blossoms, Japan, 18th–19th century, Japan, Lacquer, roiro, hirame, gold, silver hiramakie, gold foil; Interior: nashiji and fundame, 3 1/8 x 2 11/16 x 15/16 in. (8 x 6.8 x 2.4 cm), Inrō
RMBRG7A7–A Japanese kogatana,early to mid Muromachi period Blade shinogi-tsukuri,chu-kissaki,torii-zori.Gunome-midare hamon,kissaki ground,boshi unidentifiable.O-mokume hada.Blade in some parts slightly scarred and scratched.Nakago with one mekugi-ana and kiri-yasurime,inscribed 'Uda Kunihisa'.Niju copper habaki with gold-plated nekogaki.Iron tsuba in Yoshiro style in shape of a chrysanthemum with remains of brass inlays.Fuchi of sentoku,on mingaki ground tortoise and waves in takabori of silver and shakudo.Kashira made of horn.Gold-plated boar menuki,b,Additional-Rights-Clearences-Not Available
RF2HK9JRK–Inspired by Kimono for an unmarried woman, Formal long-sleeved kimono for an unmarried young woman (furisode), decorated all over with large fans, snowflake, bamboo, chrysanthemum and other plant motifs, with bulbs on cords traversing the composition. Creamy white crepe silk with yuzen decoration in, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RF2G4Y10M–Hands of father and son, while father is teaching sibling how to pour water with silver bowl to bronze Buddha's statue at Songkran Day
RM2H10A20–Document Box (Ryōshibako) with Chrysanthemum and Plum, late 1800s-early 1900s. Sasaki Takayasu (Japanese, 1845–1929). Lacquer over wood with gold and silver sprinkled powder (maki-e);
RM2HH8K5R–Cabinet with Design of Chrysanthemum by a Stream 19th century Japan. Cabinet with Design of Chrysanthemum by a Stream. Japan. 19th century. Gold and silver maki-e on lacquered wood with metal fittings. Edo period (1615–1868). Lacquer
RMRFD9RF–Table and Writing Set. Artist: Kubo Shunman (Japanese, 1757-1820). Culture: Japan. Dimensions: 8 3/16 x 7 1/8 in. (20.8 x 18.1 cm). Date: 19th century. Lacquer objects are often depicted on luxurious, limited-edition New Year's greeting cards (surimono). This print shows a small, red lacquer, maki-e decorated writing table with an unbrushed poem card (tanzaku) placed on it. Next to the table is a lacquer writing box. On the outside, it is decorated with gold and silver chrysanthemum maki-e, while the inside is red lacquer. It contains an inkstone, a water-dropper, an ink stick, and three brus
RM2HJ465W–Case (Inr?) with Chrysanthemum Decoration 18th–19th century Japan. Case (Inr?) with Chrysanthemum Decoration. Japan. 18th–19th century. Gold and silver maki-e with inlay of mother-of-pearl on lacquered ground. Edo period (1615–1868). Inr?
RFW4H9MR–grunge beauty. wealth and richness. isolated on white. floristics business. metallized decoration. luxury and success. metallized antique decor. silver and gold chrysanthemum flower in bottle.
RM2H0YJXD–Lid of Writing Box (Suzuribako) with Chrysanthemum and Plum, late 1800s-early 1900s. Japan. Lacquer over wood with gold and silver sprinkled powder (maki-e); Both functional and elegant, this is a container for an ink stone, brushes, and ink from a set of writing tools that included a larger box for paper. Against a sleek gold lacquered ground, its artist has used restraint in sprinkled powder decoration (maki-e) to produce the design of cockscomb and harvested rice on the interior of the lid.
RFRBA92D–Single yellow chrysanthemum with water droplets isolated on black background. Beautiful rose in studio shot
RFHRX95H–Simple is the best - Chrysanthemum japonense on black background also known as ashizuri noji-giku Ashizuri
RM2B0HRP4–Case (Inrō) with Design of Large Chrysanthemum Blossoms, Japan, Edo period (1615–1868), Date 19th century, Japan, Lacquer, red, hirame, gold, silver and black takamakie, raden inlay; Interior: red lacquer and fundame, 3 1/16 x 3 1/4 x 7/8 in. (7.8 x 8.2 x 2.2 cm), Inrō
RM2H0YJR7–Writing Box (Suzuribako) with Chrysanthemum and Plum, late 1800s-early 1900s. Sasaki Takayasu (Japanese, 1845–1929). Lacquer over wood with gold and silver sprinkled powder (maki-e); Both functional and elegant, this is a container for an ink stone, brushes, and ink from a set of writing tools that included a larger box for paper. Against a sleek gold lacquered ground, its artist has used restraint in sprinkled powder decoration (maki-e) to produce the design of cockscomb and harvested rice on the interior of the lid.
RMBRG28H–A Japanese kogatana,early to mid Muromachi period Blade shinogi-tsukuri,chu-kissaki,torii-zori.Gunome-midare hamon,kissaki ground,boshi unidentifiable.O-mokume hada.Blade in some parts slightly scarred and scratched.Nakago with one mekugi-ana and kiri-yasurime,inscribed 'Uda Kunihisa'.Niju copper habaki with gold-plated nekogaki.Iron tsuba in Yoshiro style in shape of a chrysanthemum with remains of brass inlays.Fuchi of sentoku,on mingaki ground tortoise and waves in takabori of silver and shakudo.Kashira made of horn.Gold-plated boar menuki,b,Additional-Rights-Clearences-Not Available
RF2HKWJYY–Art inspired by Kimono for an unmarried woman, Formal long-sleeved kimono for an unmarried young woman (furisode), decorated all over with large fans, snowflake, bamboo, chrysanthemum and other plant motifs, with bulbs on cords traversing the composition. Creamy white crepe silk with, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HGNBAA–Sword Guard (Tsuba) Depicting Peony and Butterflies (?????) 19th century Japanese The obverse of this tsuba shows in the top right corner a large peony in silver and an unopened chrysanthemum bud in gold. The silver petals of the open flower feature gold accents. Towards the bottom right we see smaller flower with gold, copper, and shakud? blossoms. Apart from some of the leaves of the chrysanthemum stretching over the washer seat (seppa-dai), the entire left part of the plate is left undecorated. On the sparsely decorated reverse we just see a colorful swallowtail and a smaller butterfly. The
RF2HTTH6G–Art inspired by The Plains of Musashi, 武蔵野図屏風, Edo period (1615–1868), 17th century, Japan, Six-panel folding screen; ink, color, gold, silver, and gold leaf on paper, Image: 60 1/16 x 140 in. (152.6 x 355.6 cm), Screens, A full moon, once silver but now blackened by age, appears on an, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2W6HKP7–Kimono for an unmarried woman, 1905 - 1920 Formal kimono with long sleeves for an unmarried young woman (Furisode), decorated all over the plane with large fans, snowflake, bamboo, chrysanthemum and other plant motifs, with flower bulbs to cords that cross the composition. Cream-white crepe silk with yuzen decoration in mainly red, green and pink, with detailing in silver and gold thread, gold and silver foil. Red silk lining. Three family weapons of chrysanthemums. Japan silk embroidering / painting Formal kimono with long sleeves for an unmarried young woman (Furisode), decorated all over th
RM2HJ2D4R–Table and Writing Set 19th century Kubo Shunman Japanese Lacquer objects are often depicted on luxurious, limited-edition New Year’s greeting cards (surimono). This print shows a small, red lacquer, maki-e decorated writing table with an unbrushed poem card (tanzaku) placed on it. Next to the table is a lacquer writing box. On the outside, it is decorated with gold and silver chrysanthemum maki-e, while the inside is red lacquer. It contains an inkstone, a water-dropper, an ink stick, and three brushes. The brushes are very fine, suitable for tanzaku calligraphy. The poems reveal that these ar
RM2H0YJXE–Base of Writing Box (Suzuribako) with Chrysanthemum and Plum Containing Inkstone, Water-dropper, Brushes, Ink-stick Holder, and Paper Knife, late 1800s-early 1900s. Japan, Meiji period (1868-1912). Lacquer over wood with gold and silver sprinkled powder (maki-e); Both functional and elegant, this is a container for an ink stone, brushes, and ink from a set of writing tools that included a larger box for paper. Against a sleek gold lacquered ground, its artist has used restraint in sprinkled powder decoration (maki-e) to produce the design of cockscomb and harvested rice on the interior of the
RM2TDY3BN–Document Box, lacquerer (attributed to), c. 1910 - c. 1925 Rectangular accessory box of gold paint with a decoration over the entire plane in Maki-e with pearl stem in flowering Gentian, with the imperial chrysanthemum on the lid. Wooden box. Japan wood (plant material). lacquer (coating). gold (metal). silver (metal). mother of pearl Rectangular accessory box of gold paint with a decoration over the entire plane in Maki-e with pearl stem in flowering Gentian, with the imperial chrysanthemum on the lid. Wooden box. Japan wood (plant material). lacquer (coating). gold (metal). silver (metal). m
RMPB20B1–Stacked Food Box (Jubako) with Taro Plants and Chrysanthemums. Artist: Shibata Zeshin (Japanese, 1807-1891). Culture: Japan. Dimensions: H. 16 1/2 in. (41.9 cm); W. 9 in. (22.9 cm); D. 9 5/8 in. (24.4 cm). Date: mid-19th century. This food box was designed for a celebratory meal, such as New Year's feast. It comes with two lids so that the boxes can be easily separated into two sets. The decorative, modern design consists of taro plants (satoimo) and chrysanthemum flowers. Shibata Zeshin was renowned for both his lacquer works and paintings. Because he started his career in the Edo period a
RM2H0Y69A–Flowers of a Hundred Worlds (Momoyogusa): Chrysanthemum and Paulownia (Kikukiri), 1909-10. Kamisaka Sekka (Japanese, 1866-1942). Color woodcuts with gold and silver; sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.). This print from a set of three woodblock printed albums displays the graphic design prowess of Kamisaka Sekka. The images were first distributed one by one to subscribers to the series but later were reissued in bound form, like this book, for mass consumers. Each print features a vignette taken from nature or Japanese literature. Many of the scenes have a long history in Japan, origi
RF2A0B6E8–grunge beauty. wealth and richness. isolated on white. floristics business. metallized decoration. luxury and success. metallized antique decor. silver and gold chrysanthemum flower in bottle.
RM2AWKN4E–Garden planning and planting . ng carmine between them. Similarly lavender, which isthe paler shade of blue purple, commonly called violet, and mauve,which is the paler shade of red purple, must never be combined, thoughthey can be used close together if rose pink intervenes. Lavender isthe tint of the Lavender blossom; mauve is that of the ParmaViolet, the mauve or peach Chrysanthemum, and Ten Week Stock.Violet and gold are always charming together, even orangemay be well used, and cream or blush, pale pink, or pale rose are allgood companions. Violet is extra well shown up by silver orvarieg
RFRBA956–Single yellow chrysanthemum with water droplets isolated on black background. Beautiful rose in studio shot
RFPAF05R–Foil flower on floral background with clipping path around flowers and leaves decoration. 3d illustration
RM2B0HTXA–Case (Inrō) with Design of Leafy Grapevines (obverse); Chrysanthemum Spray (reverse), Japan, Edo period (1615–1868), Date 18th–19th century, Japan, Case: lacquer with gold and silver takamaki-e; Fastener (ojime): gold bead carved and pierced with flowers; Toggle (netsuke): ivory carved and pierced with flowers and clouds, the figure of a courtier applied in gold, 3 1/16 x 2 7/16 x 1 1/16 in. (7.7 x 6.2 x 2.7 cm), Inrō
RM2DN4GAF–Letter box, Lacquered wood, silver, brass, Rectangular box with curved corners and an over-lapping cover; the cover is deep with a three-lobed cut in the center of each long side; these frame two brass rings, threaded on chrysanthemum mounts affixed to the box; the mounts are screwed to the box sides and capped with raised disks inside the box; the cover has a slightly convex upper surface. Both box and cover are painted with a gold 'nashiji', the rims of the two pieces are painted in matte 'fundame' gold. The cover and sides of the cover and box are decorated with diagonally bent fences
RMBRG28F–A Japanese kogatana,early to mid Muromachi period Blade shinogi-tsukuri,chu-kissaki,torii-zori.Gunome-midare hamon,kissaki ground,boshi unidentifiable.O-mokume hada.Blade in some parts slightly scarred and scratched.Nakago with one mekugi-ana and kiri-yasurime,inscribed 'Uda Kunihisa'.Niju copper habaki with gold-plated nekogaki.Iron tsuba in Yoshiro style in shape of a chrysanthemum with remains of brass inlays.Fuchi of sentoku,on mingaki ground tortoise and waves in takabori of silver and shakudo.Kashira made of horn.Gold-plated boar menuki,b,Additional-Rights-Clearences-Not Available
RM2HB5HG1–Kimono for an unmarried woman, Formal long-sleeved kimono for an unmarried young woman (furisode), decorated all over with large fans, snowflake, bamboo, chrysanthemum and other plant motifs, with bulbs on cords traversing the composition. Creamy white crepe silk with yuzen decoration in mainly red, green and pink, with detailing in silver and gold thread, gold and silver foil. Lining of red silk. Three family crests of chrysanthemums., maker: anonymous, Japan, 1905 - 1920, silk, embroidering, painting, height 130 cm × width 166 cm
RM2T90BWB–Four-case inro showing kusudama with long ribbons, chrysanthemum with Hotei's bag, 19th century, Kajikawa School, Japanese, 2 15/16 × 2 1/8 × 1 1/8 in. (7.46 × 5.4 × 2.86 cm), Lacquer (hiramaki-e, takamaki-e, kinji), gold, silver; netsuke: ivory; silk cord, Japan, 19th century, This inrō is decorated with various symbols of health and prosperity in takamaki-e over a kinji background. The front of the container shows the kanebukuro, an inexhaustible purse of gold that represents wealth. This is one of ten items associated with good fortune and carried by Hotei, one of the Seven Lucky Gods.
RM2B0J6KT–Gion Nankai, Case (Inrō) with Design of Clematis Vine on Bamboo Lattice, Japan, Edo period (1615–1868), Gion Nankai (Japanese, 1677–1751), 18th century, Japan, Lacquer sprinkled with gold and silver makie, and foil; Ojima: floral scrolls in openwork; silver and silver wire; Netsuke: chrysanthemum medallion; ivory, H. 3 1/8 in. (7.9 cm); W. 2 5/8 in. (6.7 cm); D. 13/16 in. (2.1 cm), Inrō
RF2B998CB–Plate with a fan decorated with a pheasant, Porcelain plate, painted on the glaze in blue, red, pink, green, yellow, black and silver. On the shelf a fan whose handle extends to the wall and edge, on the fan a pheasant on a rock with flowering plants is depicted, around the range of peony and chrysanthemum branches, on the edge napkin work interspersed with three cartouches in the form of fruits with fruit branches. Two cracks in the edge. Famille rose., anonymous, China, c. 1730 - c. 1745, Qing-dynasty (1644-1912) / Yongzheng-period (1723-1735) / Qianlong-period (1736-1795), porcelain (materi
RMPANYWG–Box for Accessories, with Illustrations from the Kikujido. Culture: Japan. Dimensions: H. 7 in. (17.8 cm); W. 10 1/2 in. (26.7 cm); L. 14 1/4 in. (36.2 cm). Date: 15th century. The bamboo ladle, shown resting on a rock on the cover of this box, identifies the imagery as a reference to a Noh play about the 'Chrysanthemum Youth,' or Kikujido. Loosely based on a Chinese legend, the tale speaks of a youth who discovers that he has lived unchanged for centuries after drinking from a stream into which the dew from a chrysanthemum had fallen. Museum: Metropolitan Museum of Art, New York, USA.
RM2H0Y698–Flowers of a Hundred Worlds (Momoyogusa): Chrysanthemum Boy (Kikujidō), 1909-10. Kamisaka Sekka (Japanese, 1866-1942). Color woodcuts with gold and silver; sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.). This print from a set of three woodblock printed albums displays the graphic design prowess of Kamisaka Sekka. The images were first distributed one by one to subscribers to the series but later were reissued in bound form, like this book, for mass consumers. Each print features a vignette taken from nature or Japanese literature. Many of the scenes have a long history in Japan, originating in
RFWH89H5–grunge beauty. wealth and richness. isolated on white. floristics business. metallized decoration. luxury and success. metallized antique decor. silver and gold chrysanthemum flower in bottle.
RM2H0Y64N–Flowers of a Hundred Worlds (Momoyogusa), Vol. 1, 1909-10. Kamisaka Sekka (Japanese, 1866-1942). Woodblock prints, ink, color, gold, and silver on paper; sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.). This is the first of a set of three woodblock printed albums by Kamisaka Sekka, the artist considered the last major exponent of the Rinpa style of painting and design associated with the artists Tawaraya S?tatsu (died about 1640) and Ogata K?rin (1658-1716). Momoyogusa, in addition to meaning 'flowers of a hundred worlds,' is a classical name for the chrysanthemum. It appears in a poem by Mimube
RFRBA8X7–Close-up of a fresh yellow chrysanthemum, covered with water droplets on a black isolated background, side view. Studio photography of a natural flo
RM2TEF2T9–Plate with a fan decorated with a pheasant, anonymous, c. 1730 - c. 1745 Porcelain plate, painted on the glaze in blue, red, pink, green, yellow, black and silver. On the flat a fan whose handle runs on the wall and edge, on the fan a pheasant is depicted on a rock in flowering plants; For the fan peony and chrysanthemum branches; On the edge of servetwork interspersed with three cartouches in the form of fruits with fruit branches. Two cracks in the edge. Famle Rose. China porcelain. glaze. gold (metal) painting / gilding / vitrification Porcelain plate, painted on the glaze in blue, red, pin
RM2AXGAY5–Catalogue of the collections of the American Art Association to be absolutely sold by auction to settle the estate of the late RAustin Robertson; part first . e (Kiseru). Silver, with bamboo centre-piece; boldly carved ornamentation. 1819 Pipe (Kiseru). Silver. Chrysanthemum flowers, en- graved and carved in relief ; bamboo centre. 1820 Pipe (Kiseru). Silver. Finely carved with geometri- cal designs. 1821 Pipe (Kiseru). Silver, with gold mouth-piece, drag- ons and clouds carved and chased; exceedingly fineworkmanship. 1822 Pipe (Kiseru). Silver. Crest and rabbits inlaid in gold and shakudo. 32
RFPAF05B–Foil flower on floral background with clipping path around flowers and leaves decoration. 3d illustration
RF2BE1X5T–New Year's frame with Chinese chrysanthemums and a place to insert text. Golden frame baguette
RM2B0HRTJ–Inrō with the Queen Mother of the West (Seiōbo); Boy with a Peach (reverse), Japan, Edo period (1615–1868), Date mid- 19th century, Japan, Four cases; lacquered wood with gold, silver, and color (iroko) togidashimaki-e on gold groundNetsuke: gold takamaki-e chrysanthemums (signed: Shigenori)Ojime: gold bead with chrysanthemum and butterflies in relief, 3 3/8 x 2 3/16 x 13/16 in. (8.5 x 5.5 x 2.1 cm), Inrō
RF2B993CC–Incense burner with medallions of floral scrolls, diaper pattern and a silver cover, Incense burner (koro) of stoneware with a cylindrical body, three short feet and a flat shoulder, painted on the glaze in blue, red, green, yellow, black and gold. On the wall a band with napkin work interrupted by three medallions of floral vines (peony, prunus, chrysanthemum, aster). On the shoulder a band with stylized flowers. A flower vine on each foot. The silver lid with twice a cartouche with a lotus plant in relief and an openwork flower rosette in the center. On the underside the manufacturer brand '
RMKC7766–The Plains of Musashi, 武蔵野図屏風, Edo period (1615–1868), 17th century, Japan, Six-panel folding screen; ink, color, gold, silver
RFW34JXX–fantasy flower. silver and gold chrysanthemum flower in bottle. luxury and success. metallized antique decor. isolated on white. wealth richness. floristics business. Vintage retro. grunge beauty.
RMW54AEA–Plate with a fan decorated with a pheasant, Porcelain plate, painted on the glaze in blue, red, pink, green, yellow, black and silver. On the shelf a fan whose handle extends to the wall and edge, on the fan a pheasant on a rock with flowering plants is depicted, around the range of peony and chrysanthemum branches, on the edge napkin work interspersed with three cartouches in the form of fruits with fruit branches. Two cracks in the edge. Famille rose., anonymous, China, c. 1730 - c. 1745, Qing-dynasty (1644-1912) / Yongzheng-period (1723-1735) / Qianlong-period (1736-1795), porcelain
RFRBA8RP–Close-up of a fresh yellow chrysanthemum, covered with water droplets on a black isolated background, side view. Studio photography of a natural flo
RM2TDGDB7–Incense burner with medallions of floral scrolls, diaper pattern and a silver cover, Toyosai, Toyosai (workshop of), c. 1880 - c. 1900 Incense burner (Koro) of stoneware with a cylindrical body, three short feet and a flat shoulder, painted on the glaze in blue, red, green, yellow, black and gold. On the wall a band with servetwork interrupted by three medallions of flower ranks (peony, prunus, chrysanthemum, aster). On the shoulder a band with stylized flowers. A flower shelf on each foot. The silver lid with twice a cartouche with a lotus plant in relief and an openwork flower rosette in the
Search Results for Gold silver chrysanthemum Stock Photos and Images (147)
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